Skin Toned Garden Mapping, 1991
Installation, The Renaissance Society at the
University of Chicago, Chicago
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Mapping Terrain
In her essay in the exhibition catalogue, Jessica
Stockholder, Kissing the Wall: Works 1988-2003, Elspeth Carruthers compares
Stockholder’s works to medieval maps. Mappae mundi, maps of the known world
constructed in the Middle Ages and passed down through books and alter
pieces. The cartographers who made these maps did not use longitude and
latitude to measure distance. Instead, they used a shifting scale to reflect
their interest and knowledge of the world. Rather than simply representing
the topographic features of terrain in order to aid navigation, maps were
made to convey an encyclopedic worldview. According to Carruthers,
Circuiting, Memory, and the Medieval Mapping of Space, mappae mundi are
“visually magnificent and messy narratives.” Geographic reality was
subordinated to other concerns, particularly the Christian view of Jerusalem
as a place of central importance.
As in many of her
sculptures, in Stockholder’s installations everyday objects serve as markers
or signs—familiar sights that guide us through a shifting terrain, with its
visual pathways that are meant to be experienced as the viewer moves through
the piece. In 1991’s Skin Toned Garden Mapping, 50 hanging refrigerator
doors, painted in related skin tones that are flat and even in value are
formally arranged and dramatically lit. Again, Stockholder transforms
familiar, generic objects by changing their setting. The composition is
stacked and layered similarly to a formal garden bed. Like plants standing
in rows, the doors seem to settle, shift precariously in the wind, as they
hang suspended above their their “bed.” Light conditions are variable,
provided by strings of light that weave through the doors. A red cloth
draped on the floor reflects warm color onto the doors and the wooden
platform beneath them, and adds luminosity to their opaque, milky surface.
Viewers travel through a complex mapped space in which parts are carefully
orchestrated.
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