Bowtied in the Middle, 1996
Installation, Rooseum Center for Contemporary
Art, Malmö, Sweden
Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New
York, April 10–May 4. Catalogue, text by Thea Westreich.
Growing Rock Candy Mountain Grasses in Canned Sand,
installation, Westfälischer Kunstverein, Münster, Germany, April 10–May 31,
and Sea Floor Movement to Rise of Fireplace Stripping, installation,
Kunsthalle Zurich, Zurich, Switzerland, October 31–January 3, 1993.
Catalogue, text by Friedrich Meschede, Eva Schmidt, and Antje von Graevenitz.
Your Skin in this Weather Bourne Eye-Threads & Swollen
Lumber, carpet, fake cur, plastic toolbox, plastic and ceramic
knickknacks, acrylic paint, silicone caulking, wall hook
39 x 105 x 59 in
99.1 x 266.7 x 149.9 cm
Courtesy Gorney Bravin + Lee,
installation, Dia Center for the Arts, New York, October 5–June 21,
1996. Catalogue, text by Lynne Cooke, Michael Govan, Anne Lauterbach,
Jessica Stockholder, and Lynne Tillman.
Studio Works, Studio La Città II, Verona, Italy, January 21. Catalogue,
text by Anthony Iannacci.
Skinned Water, Cubed Chicken & White Sauce,
installation, Kunstnernes Hus, Olso, Norway, October 25–November 23.
Catalogue, text by Jessica Stockholder, Åsmund Thorkildsen, and Ståle Vold.
Picking Trumpets of Iced Blue Vagaries,
installation, Musée des
Beaux-Arts de Nantes/La Salle Blanche, Nantes, France, January 14–April 13.
Catalogue, text by Arielle Pélenc and Jessica Stockholder.
Plywood with wheels, stack of seventeen green an clear plastic parts,
rug, acrylic paint
61 x 35 x 27 in
154.9 x 88.9 x 68.6 cm
installation, Openluchtmuesum voor beeldhouwkunst Middelheim, Antwerp,
Belgium, September 6–November 15. Catalogue, text by Menno Meewis, Greg
Hilty, and Jessica Stockholder.
Chromaform: Color in Sculpture,
UTSA Art Gallery, The University of Texas at San Antonio, San Antonio,
Texas, September 3–October 16. Traveled to University of North Texas Art
Gallery, Denton, Texas, November 5–December 12; Nevada Institute for
Contemporary Art, Las Vegas, Nevada, April 8–May 23, 1999; University Art
Gallery, New Mexico State University, Las Cruces, New Mexico, June 12–August
12; University Art Gallery, Sonoma State University, Rohnert Park,
California, November 11–December 17; Edwin A. Ulrich Museum of Art, Wichita
State University, Wichita, Kansas, January 21–March 7, 2000; and Mount
Holyoke College Art Museum, South Hadley, Massachusetts, April 7–June 30.
Catalogue, text by Frances Colpitt, et al. Text on the artist by Ann Wood.
On the Spending Money Tenderly, 2002
Nordrhein-Westfalen, Düsseldorf, Germany
Wanton Heed and Giddy Cunning Hedging Red and That’s Not Funny,
Center for Visual Arts, Cardiff, Wales, September 1–November 7. Catalogue,
text by Alex Farquharson, Sally Medlyn, Jennifer Higgie, and Jessica
Vortex in the Play of Theatre with Real Passion: In Memory of Kay
installation, Kunstmuseum St. Gallen, St. Gallen, Switzerland, March 17–June
Spending Money Tenderly,
installation, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany,
December 1–March 9, 2003.
TV Tipped Toe Nails & the Green Salami,
installation, capc Musée d’art contemporain de Bordeaux, Bordeaux, France,
June 12–September 21. Catalogue, text by Maurice Fréchuret and Thierry